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- #Gbtimelapse vs lrtimelapse how to#
- #Gbtimelapse vs lrtimelapse movie#
- #Gbtimelapse vs lrtimelapse manual#
- #Gbtimelapse vs lrtimelapse full#
#Gbtimelapse vs lrtimelapse manual#
You'll also want to use manual focus and manual white balance. It will only matter in metering modes like aperture priority, not manual exposure or manual ramping where the meter is ignored, so there is no harm in leaving it enabled all the time. This will help a lot when editing later so I recommend enabling it if your camera has such a feature. What’s your preferred photo format for long-term timelapse? And how does this impact your workflow?įor any questions about the photoSentinel platform, or to find out how photoSentinel could help your workflow and grow your business revenue, feel free to contact our sales team.Some camera models like the Nikon D810 and D750 have an exposure smoothing feature that can be enabled in the intervalometer to keep the camera from excessively bouncing the exposure around while shooting a timelapse with the camera's meter. We also have a whole set of articles you can use to upskill on your time lapse knowledge. Hopefully you have an idea now of whether RAW, JPEG, or both are right for your next long-term time lapse project.īut if you’re still not sure, don’t hesitate to get in touch with us to ask. However, before doing this make sure to consider any extra data costs you will incur. To save on data costs, you can choose to save the RAW images, and collect them manually as needed.Īlternatively, you can set the photoSentinel Tempo to also upload the RAW images – either over the cellular network or LAN. The photoSentinel Tempo Premium Package comes with a large 500GB Samsung SSD. Save RAW to the SSD … or upload them too! Upload JPEGīy uploading the JPEG images over the cellular network, you make use of photoSentinel’s timelapse web gallery and other online features, creating opportunities to generate extra revenue from your clients. Some cameras will only let you pair RAW with large, fine JPEGs, which may end up being cost prohibitive to upload. When choosing a camera, take into consideration whether the camera will allow you to set the size of the JPEG when shooting with RAW. This gives you the flexibility of RAW for editing, and the advantages of JPEG’s fast access and broad compatibility. You can set your camera to capture both formats. …while saving RAW locally to the large capacity SSD, to be collected periodically. With the photoSentinel Tempo there is no need to be limited, as you can capture both.Īs outlined below, the most common workflow is to upload JPEGs to make use of the timelapse web gallery…
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#Gbtimelapse vs lrtimelapse how to#
PART 3: How to shoot both RAW & JPEG for construction timelapseīoth RAW and JPEG formats bring their own strengths and advantages to the long-term timelapse table.īut – these two formats don’t need to be rivals! These techniques are most effective when working with RAW files.
#Gbtimelapse vs lrtimelapse movie#
Undoubtedly, this is a game-changer for time lapse projects that encounter large changes in lighting conditions.īy adjusting settings like “gamma”, “shadows” or “recovery”, the subtle tones in the shadows and highlights can be reclaimed.Īnd this greater dynamic range across your long-term timelapse movie can give you a more natural look. This enables images to be brightened or darkened by as much as 3-4 stops, while still retaining many of the details.
#Gbtimelapse vs lrtimelapse full#
When working with RAW images, the full dynamic range of the camera is retained in the file.
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When editing JPEG images, you will may find that only a limited range of highlight and shadow adjustment is possible.Įventually, you’ll encounter undesirable blocks of solid white or black. However, that information can be very useful during editing. This information is not easily noticeable by the human eye, so the data is “clipped” and the detail is thrown away.
![gbtimelapse vs lrtimelapse gbtimelapse vs lrtimelapse](https://lrtimelapse.com/wp-content/uploads/2015/04/LRTimelapse-4-New_Tutorials.jpg)
The smaller file sizes of JPEG images do come at a cost.Ī significant portion of these savings comes from removing the subtle tonal details hidden in the highlight and shadow regions of the image.